Notes 3-4 and Rehearsal Schedule for Saturday Workshop

Dear Singers

Thank you for excellent concentration throughout a pretty intense rehearsal. I appreciate all of you! I look forward to seeing you on Saturday at 9 am. I am including the rehearsal schedule for Saturday as well as notes from last night.

Notes

Old Carrion Crow

  • Ending consonants are key here. They are the most important of communicating words to an audience. An example of this is m 6, “k” and + of 2

Break, Break, Break

  • Sopranos need to drill and kill mm 6 – 8. Be able to nail that E. Bandlab might be useful, or a good job of plunking on the piano
  • Tenors m 14 2nd note is an F#
  • The piece begins and ends at pp. I am not making a big deal about that yet because we all need to hear the notes

Big Yellow Taxi

  • Be careful in m 7. Same words, but different notes!
  • Practice “swingin’ hot spot” with breath impulses (huh-huh-huh, etc.) so that you are sure of the rhythm.
  • I had expected to work out the rhythm mm 15 – 18, but, of course, “you don’t always get what you want!” I would be thrilled, though, if everyone practiced these rhythms carefully so we wouldn’t have to spend a ton of time on them. While you are at it, look at mm 24 – 25
  • I am hoping to get to the end of this piece on Saturday.

Little Birds

  • I will go into more detail about my expectations, but here is the link to the Cornell University website along with a few of my favorite bird songs:

Species list – Macaulay Library

House Finch: House Finch – eBird

Western Meadowlark: Western Meadowlark – eBird

American Robin: American Robin – eBird

Great Horned Owl: Great Horned Owl – eBird

Start practicing!

Sweet Suffolk Owl

  • “t” should be explosive!

Kasar mie la gaji

  • Experiment with sliding sounds!

Blue Bird

  • This entire piece should be done in “French”. What I mean is that the lips are extended, coloring all the vowels with an “ooh” sound.
  • Extend vowels as much as possible. Example: “La — klay”
  • Phrasing:
    • m 5 breath on beat 3 (quarter rest); m 9 (of course); no breath until m21
    • m 25 breath on beat 3 (quarter rest); m 29 (of course); no breath until 35, then m 38 (quarter rest instead of tied note)–bass on m 37 beat 4 (quarter rest)
    • Let’s be a little more clear about the ending. The tied note in m 45 will be a quarter note with a fermata.

Rehearsal Schedule – Saturday Workshop

Donuts! (OK, and other healthy snacks)

Ice breaker game

Extended Warmups

be sure to bring a water bottle and straw

O Lovely Night

Break

Kasar mie la gaji

Big Yellow Taxi

Old Carrion Crow

Lunch Break (12:15 – 1:00)

bring your own sack lunch

Little Birds to m 35

How to Mark a Score

Break

Lark in the Clear Air

Earth Song